イラマチ男タコ蔵
From the outfield, there has been a sushi bubble in recent years, with many sushi restaurants popping up, some of which are run by people in their 20s. It may be a digression, but in Japan's proud culture of traditional art like Edo-style sushi, the tide has been changing even more since last year, with companies with capital like izakaya chains finding a gold mine in this field and opening up stores where you don't know who is making the sushi. In five years, only a few stores will remain, and it is clear that many will change their business model or withdraw. This was unthinkable ten years ago and is likely a backlash from the sushi boom. No matter how many famous names of restaurants across the country they imitate, no matter how much money they spend on polishing the exterior, the sushi restaurant business relies too much on the dedication of the craftsmen, and as marine resources become scarcer and prices rise due to competition with overseas, sushi restaurants that are not prepared will continue to decline. I believe in this, says Irramachi Otoko Takokura. I only like the real thing. But I digress. Now, Irramachi Otoko Takokura, who visits about 150 sushi restaurants a year, considers Takaki Sushi to be a special place, a class of its own. For those who have been regular customers for many years, you may understand that they have gone through many trials and errors to embody their ideal sushi. It is not a half-hearted commitment, but a level of suffering and exhaustion that is felt every time you chew on it, which cannot be expressed in words. How many hours has the master spent to create such a wonderful balance in just a few seconds of grasping with three fingers - thumb, index finger, and middle finger - and flipping the wrist before it lands on the tongue? I have said it many times, but sushi, consisting of fish, shari, and wasabi, is an extremely simple dish and the most difficult thing to master, according to Irramachi Otoko. It becomes a completely different dish when it is made by a different person. I, who was only interested in sake, sex, cigarettes, fights, and gambling, became deeply involved in this depth and beauty. The sound of wind chimes echoing in the shop, and the master's shirt is not a white coat but a Tang grass shirt, I wonder... It's so exciting. The dishes I received this time are as follows. There used to be a rule that you could only take three pictures a day, but now you can take as many as you want (laughs). Below, with some omissions. - Karei I might like flounder the most as the main ingredient. The moist and chewy texture is the best. - Shiraika A white squid with a good texture. The shari is just the best. - Maguro Tuna red meat sandwiched in seaweed. The scent of seaweed is amazing. They seem not to sandwich the seaweed with tuna the master thinks is the best. - Katsuo A fragrant bonito. There's no way this shari doesn't go well with it. It's perfect. - Kegani Personally, I like the closing dish more than the apprenticeship place. This is a matter of preference. It's too good. - Kuruma Ebi Perfectly cooked prawns. No complaints, perfect. - Awabi Thickly cut abalone. The chewy texture and aroma were heavenly. I closed my eyes for about a minute and inadvertently struck the Bismarck pose of the former Verdi Kawasaki. - Kasugo I was surprised by this. It was quite strongly pickled kasugo, but the balance with the shari was amazing, resulting in a superb dish! This is multiplication! This is the meaning of sushi being sushi! - Anago Anago with fat on it. The simmering is too good. - Tekka Maki Second helping - Tako Suika And the bill was surprisingly reasonable. It was about half of what I expected. I was so moved that I ended up writing with high enthusiasm, but I was thrilled by the dedication of the master who pursues the essence. It seems that there are only two young and stylish sushi restaurants, not just our store, but also Kizakashi.