南栄工業のA子
I have watched the performances of the Ballet Association many times and have always felt a fresh sense of excitement each time. But this time, there may not have been a work that taught me what ballet really is. Date and time: 9th (Sun) Matinee, Doors open at 12:15 / Show starts at 13:00. Venue: Tokyo Bunka Kaikan, Main Hall. Organized by: Tokyo Metropolitan Government, Tokyo Metropolitan Foundation for History and Culture. Sponsored by: Chacott Co., Ltd. Conductor: Alexei Baklan. Performance by: Japan Ballet Orchestra. Original choreography: Marius Petipa. Revised choreography/direction: Victor Yaremenko. Choreography assistance: Tatyana Lebetskaya. Music: Adolphe Adam. Ballet Mistress: Maiko Taylor, Asuka Tsuneyama, Shinya Okuda. Artistic Director: Katsuko Okamoto. Medora: Yurie Kajiya (Principal of Houston Ballet). Conrad: Kosuke Okumura (Principal of New National Theatre Ballet). Feedback from audience members: "The Pirate Matinee of the Japan Ballet Association. I was drawn to this performance because of the lineup of Kajiya-san and Terada-san, Okumura-san's role that was not a prince, Kinoshita-san's Rankadem and Tamai-san's Odalisque. There were many highlights, a speedy development that kept me engaged until the end, and I was completely satisfied with the performance." "Japan Ballet Association's 'Pirates' Matinee. It was a full-length performance but it felt like a condensed version, with a fast-paced development and packed with dance, so I didn't get bored for a second. I was there for Okumura-san, but I was also happy to see Kinoshita-san and Terada-san. It was Kajiya-san's debut, and she had a cool and bright naturalness that was wonderful. Ali was very Ali." "Japan Ballet Association's alternate cast 'Pirates' continued group dance, character dance from 'Living Garden,' and pure classical from before, the music seemed to enter the body or maybe because it was the last show, the Soiree today felt like everyone's mind and body were in sync and it was very, very good!" Cast: Ali - Hideyuki Arai, Gulnara - Asako Terada (First Soloist of New National Theatre Ballet), Birbanto - Naruya Arai, Rankadem - Yoshito Kinoshita (Soloist of New National Theatre Ballet), Seyd Pasha - Daichi Takatani, Odalisque - Rui Tamai (First Artist of New National Theatre Ballet), Toriko Hirakawa, Mami Hirao. Before the show started, I read through the program with champagne in hand and my expectations were high. The prologue and epilogue by Byron were also deep. Due to the influence of K Ballet, the image of Ali being shot with a gun seems to have stuck, but Ali was alive until the end, so I feel like tradition was also preserved. In the past, I was disappointed by the champagne at the intermission, but this time it was great. As a reward for passing the Ballet Proficiency Test Level 2, I am very grateful. Thank you very much.